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0 · Gala/Dalí/Dior: Of Art and Fashion
1 · Christian Dior Was the First Art Dealer to Show Dalí’s
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In June 1931, Colle and Dior debuted Salvador Dalí’s masterpiece, The Persistence of Memory (1931), as part of a larger solo exhibition devoted to the Spanish .
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Art and fashion intertwine to take visitors into this shared imaginary through a painstaking selection of the artist’s work, Maison Dior’s designs and documentary materials . In June 1931, Colle and Dior debuted Salvador Dalí’s masterpiece, The Persistence of Memory (1931), as part of a larger solo exhibition devoted to the Spanish provocateur. The painting famously depicts melting clocks, bugs swarming on an orange bottle, and an eerie pink skin, all amidst a barren, surreal landscape. Art and fashion intertwine to take visitors into this shared imaginary through a painstaking selection of the artist’s work, Maison Dior’s designs and documentary materials from the Fundació Gala-Salvador Dalí and Christian Dior Couture collections.
Dior also debuted Salvador Dalí’s masterpiece The Persistence of Memory as part of a larger solo exhibition in 1931. The painting famously depicts Dalí’s melting clocks, which Dior presented when he worked at the Galérie Bonjean.These two creators, Salvador Dalí and Chrstian Dior, epitomise the 20th century and are characterised by an attitude to art that manages to combine technical precision, creative obsession, a desire to go beyond and a sense of mise-en-scène.The legend of Gala Dalí stalks, invisible, the rooms of the castle of Púbol. Converted into the stage for the muse-cum-performer’s performances, the castle is now a topography of spectral traces: Gala’s memory inhabits the place and haunts .
One of the fancy dress costumes of the Dior company when Pierre Cardin worked there, and which Dalí and Gala used at the fancy-dress ball held by Carlos de Beistegui in the Labia Palace in Venice. Fundació Gala - Salvador Dalí.
In 1947 Dior effectively revolutionized female fashion with the presentation of his "New Look" collection. Gala, who had by now fully earned her reputation as the most influential muse of the 20th century, seized on Dior's style as a way of further cultivating her public image.
While Dalí is trying to make a name for himself in the capital of art with the help of Gala, the artist’s stubborn, tireless representative, Dior runs galleries in Paris with renowned partners.
Though the story of how their illustrious paths crossed throughout their respective careers begins many years ago, a new exhibition at Púbol castle explores the inception of the working relationship and friendship between Salvador Dalí and Christian Dior.The choice of outfits was clearly meant as a tribute to the great names of French haute couture, because immediately afterwards we can see, in a different shot, the couple’s costumes for the Beistegui ball designed by Christian Dior with input from Salvador Dalí. In June 1931, Colle and Dior debuted Salvador Dalí’s masterpiece, The Persistence of Memory (1931), as part of a larger solo exhibition devoted to the Spanish provocateur. The painting famously depicts melting clocks, bugs swarming on an orange bottle, and an eerie pink skin, all amidst a barren, surreal landscape.
Art and fashion intertwine to take visitors into this shared imaginary through a painstaking selection of the artist’s work, Maison Dior’s designs and documentary materials from the Fundació Gala-Salvador Dalí and Christian Dior Couture collections. Dior also debuted Salvador Dalí’s masterpiece The Persistence of Memory as part of a larger solo exhibition in 1931. The painting famously depicts Dalí’s melting clocks, which Dior presented when he worked at the Galérie Bonjean.
These two creators, Salvador Dalí and Chrstian Dior, epitomise the 20th century and are characterised by an attitude to art that manages to combine technical precision, creative obsession, a desire to go beyond and a sense of mise-en-scène.The legend of Gala Dalí stalks, invisible, the rooms of the castle of Púbol. Converted into the stage for the muse-cum-performer’s performances, the castle is now a topography of spectral traces: Gala’s memory inhabits the place and haunts .One of the fancy dress costumes of the Dior company when Pierre Cardin worked there, and which Dalí and Gala used at the fancy-dress ball held by Carlos de Beistegui in the Labia Palace in Venice. Fundació Gala - Salvador Dalí.In 1947 Dior effectively revolutionized female fashion with the presentation of his "New Look" collection. Gala, who had by now fully earned her reputation as the most influential muse of the 20th century, seized on Dior's style as a way of further cultivating her public image.
While Dalí is trying to make a name for himself in the capital of art with the help of Gala, the artist’s stubborn, tireless representative, Dior runs galleries in Paris with renowned partners.
Though the story of how their illustrious paths crossed throughout their respective careers begins many years ago, a new exhibition at Púbol castle explores the inception of the working relationship and friendship between Salvador Dalí and Christian Dior.
Gala/Dalí/Dior: Of Art and Fashion
Christian Dior Was the First Art Dealer to Show Dalí’s
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dior salvador dali|Christian Dior Was the First Art Dealer to Show Dalí’s
